Disney World’s Big Changes: A Fan’s Honest Take on Upcoming Rides & Park Updates

Walt Disney World is in a fascinating phase right now. Some parks are thriving, some feel like they’re losing their way, and some are sitting on huge potential. There’s also a lot of exciting news about what’s coming over the next few years. So let’s dig in and take a walk through each park, how they’re doing today, and what I think about the upcoming changes.

Editor’s Note: In our previous post, Zach covered Disney’s response to Epic Universe and some of his thoughts on the direction Disney is going compared to Universal. This post focuses more on the changes and updates Walt Disney World is about to undergo along with some of my own personal observations. 

All opinions are solely my own and are based on my own personal experiences and observations at Disney. The following opinions do not reflect that of the Walt Disney World, The Walt Disney Company, or any of its affiliates.

EPCOT: A Park in Transition

EPCOT, once Disney’s love letter to the future and to global culture, is honestly struggling to hold onto its original identity. It’s sad to see the educational and futuristic themes slowly fading. Wander the park today, and you’ll notice: a lot of empty space, some old closed-off buildings, or big swaths of untouched land. EPCOT feels like it’s waiting for something and it is.

I do love that some classic attractions are still around, holding onto that old-school EPCOT vibe. But let’s be real: many of these rides are showing their age. Remember the SpaceShip Earth update that was planned before COVID? Yeah, canceled. And now we’re left with a ride that badly needs TLC if it’s going to last for future generations.

What EPCOT needs is more original rides. I totally get using IP (intellectual property) to enhance a land or ride if it complements the theme. Avatar at Animal Kingdom is a perfect example. But EPCOT has been swinging hard into IP overload lately, and it risks losing its essence. That said, I’ll stand up for Remy’s Ratatouille Adventure. I know a lot of people hate IPs invading the World Showcase, but honestly? This ride was a fantastic addition. It breathes life into an otherwise empty France pavilion and makes the Paris setting come alive.

A Fan’s Perspective: What Does Epcot Need?

Now, here’s where EPCOT has a real opportunity: today’s world offers incredible new technologies and global challenges. Why not lean into that? Imagine:

  • A Wall-E-themed ride teaching recycling, sustainability, and composting. It would tie beautifully with Living With The Land and introduce Wall-E to a whole new generation.
  • A robotics-focused attraction that explores automation, AI, and our future with machines. Expensive? Sure. Worth it? Absolutely.
  • A new health and wellness pavilion — maybe something like a modern Body Wars, but updated for today’s audiences.
  • And let’s not forget transportation! EPCOT used to celebrate innovations in this space, and it’s been totally neglected.

Upcoming Changes To Epcot

Keep an eye out… Disney has announced… you guessed it! Absolutely nothing new for Epcot! No major new attractions have been announced yet. EPCOT still feels like it’s missing that next big anchor. 

However, Disney is in the process of refurbishing Test Track and thank god for that! When I rode Test Track 2.0 for the first time a few years ago, I was very underwhelmed during the show scenes and felt the ride was just walls of lights and lasers with little or no attention to story or detail. It felt like I was inside a light show.

The new version of Test Track is going to take some serious inspiration from the original “World of Motion,” which honestly, is a really smart move. It sounds like they’re trying to bring back that optimistic, forward-thinking vibe EPCOT used to be known for—something it desperately needs more of. From what we know, there will be new scenes showing off modern tech and how transportation connects us in today’s world. The ride will focus more on personalized, onboard tech and looks like it’s aiming to be a more meaningful experience, not just a thrill ride. And yes, they’re keeping the high-speed outdoor section, which is still one of the best parts. Hopefully, this version feels more aligned with the spirit of EPCOT rather than just being another flashy update.

Hollywood Studios: A Park Losing Its Core

Photo taken on my last Disney trip in March of 2025. Seen here is the Hollywood Studios park entrance at night time just after park closing.

Hollywood Studios has some of the best individual attractions at Disney World but as a park, it’s losing its central theme. It was once a celebration of filmmaking and the magic behind the movies. But with the removal of the Great Movie Ride, Studio Backlot Tour, and so many other movie-themed attractions, the park now feels like a mash-up of disconnected IPs.

Don’t get me wrong: I love the immersive lands. Galaxy’s Edge is breathtaking. Toy Story Land is cute and fun. But the park feels like it’s drifting from its original studio identity. It needs more attention to connect the experiences into a cohesive whole.

I’ll admit, I was super skeptical about Mickey and Minnie’s Runaway Railway. But you know what? I was wrong. It’s a fantastic ride that is incredibly immersive, and playful. It genuinely makes you feel like you’re inside a cartoon. I can see where Disney was going with this, and honestly, maybe this is the direction Hollywood Studios should be leaning into.

And as a huge Star Wars fan, I love Galaxy’s Edge. But let me just say: after riding Rise of the Resistance and Smuggler’s Run… I’m left wanting more. Anyone else feel like Galaxy’s Edge is crying out for a third attraction to round it out?

Upcoming Changes To Hollywood Studios:

Sigh.. My poor keyboard is likely going to need to be replaced after this. Where do we even start… Let’s start with the elephant in the room. Animation Courtyard which is home to Muppet Vision 3D is being replaced with Monsters, Inc. Land. 

Disney claims this was a “dead area” of the park but let’s be real, it only became that way because they stopped paying attention to it. The Muppets got zero love or investment in recent years. They could’ve easily updated the show or even expanded the area into something bigger and better. Instead, they let it rot and are now acting like it was always irrelevant. That’s on them.

And here’s what really makes zero sense: there’s literally a massive section of the park that’s just sitting there unused which is the space where Star Tours used to be located before being moved near Galaxy’s Edge. Right now, it’s home to a few meet and greets, and that’s it. Why not build Monstropolis back there? It’s close to the old Animation Courtyard area, which would’ve made total sense thematically. You could’ve tied Monsters, Inc. into a broader zone celebrating animated films. It would’ve revitalized that corner of the park without axing a beloved classic.

Now to really twist the knife, they’re retheming Rock ‘n’ Roller Coaster to a Muppets concept — supposedly a Dr. Teeth and the Electric Mayhem overlay. I mean… come on. First, you rip out the actual Muppets attraction. Then you toss them into a completely different ride that had nothing to do with them? That’s not creative, that’s lazy. Rock ‘n’ Roller Coaster, while a bit dated with the Aerosmith theme, still had a strong Hollywood vibe. You were racing through L.A. traffic on your way to a concert — it fit the story of the park.

After this, what’s even left that ties the park to its original “Hollywood” theme? Tower of Terror? Sunset Boulevard? What’s left of Animation Courtyard? The rest feels like a mismatched collection of IPs and rethemes with no unifying thread. Hollywood Studios used to be about the magic of making movies — now it feels like the magic of squeezing in whatever IP Disney has lying around.

One Last Look at Animation Courtyard

On my previous Disney trip this year, I was lucky enough to get to enjoy Muppet Vision 3D a few more times knowing next time I return, it would sadly be gone. Knowing this, I took as many pictures as possible. Before we move on to our next section about the Magic Kingdom, I want to share some of these photos with you.

Magic Kingdom: Magical But Overcrowded

Photo taken on my last Disney trip in March of 2025. Seen here is the iconic Magic Kingdom park entry just before Happily Ever After begins

When I visited Magic Kingdom for the first time this past March, I was blown away. Walking down Main Street USA, I could literally feel Walt’s vision and passion radiating from every corner. It screamed Disney magic and gave me this overwhelming sense of nostalgia. It truly felt like the heart of what Disney is supposed to be — full of charm, storytelling, and emotional weight.

But seriously, Disney, we need to talk: why is this park so overcrowded? If you don’t cough up the cash for Lightning Lane, you’re pretty much signing up for an exhausting day of waiting in hour-plus lines for most headliners. And that’s if you’re lucky. I get that Magic Kingdom is iconic and the most visited theme park in the world, but the guest experience is starting to suffer. It’s hard to feel the magic when you’re shoulder-to-shoulder in a sea of people, constantly refreshing the app to see what has the shortest wait. Please — fix this.

As for the changes coming to the park, I’m feeling a mix of excitement and concern. The long-rumored Villains Land is an idea I absolutely love. It fits so well with the overall storytelling and fantasy themes that define Magic Kingdom. This could be the kind of bold move the park really needs. But its proposed location somewhere behind Big Thunder Mountain makes me nervous. The vibe of Frontierland just doesn’t match the dark, fantastical energy of a villains-themed land. To me, it would feel way more natural if it were placed behind Fantasyland, where it could flow thematically without clashing with the surrounding areas.

Then there’s the new Cars expansion aka Piston Peak. Now I may be outnumbered here, but I’m actually really excited for this. I grew up obsessed with the Cars franchise. It was my favorite movie, no question. I still have all the collectibles and toys from when I was a kid. So for me, finally seeing Cars represented on the East Coast is a huge deal. And honestly, the location makes sense. Nestling it near Big Thunder Mountain and Adventureland could work surprisingly well. The rugged, adventurous terrain of that area aligns way better with the Cars universe than people give it credit for.

I’ll admit I’m torn on the removal of Tom Sawyer Island, though. There’s definitely some nostalgia tied to that area, and it’s one of the few quiet, shaded corners left in the park. Losing the river and trees will absolutely change the entire feel of that section. But realistically, it’s time. The island just isn’t pulling crowds anymore. It feels outdated. Replacing it with a fully realized land that includes attractions, restaurants, and restrooms could actually help alleviate some of the insane crowding throughout the park. 

I know it’s probably an unpopular opinion, but I really believe this is a necessary evolution for Magic Kingdom. If we want this park to thrive going forward, we have to be willing to let go of underused space and make room for something new  especially if it helps distribute guests more evenly.

Magic Kingdom still has that Disney spark, but right now, it feels like the park is balancing on a line between timeless magic and modern chaos. If Disney gets these changes right not just by slapping in IPs but by actually designing meaningful, well-integrated experiences this could be the start of something amazing. But if they keep throwing in updates without thinking through the bigger picture, we’re just going to end up with more crowd problems and less of the magic that made this park special to begin with.

Animal Kingdom – The Forgotten Park

Animal Kingdom is getting a major overhaul. DinoLand U.S.A. is being replaced with a new land called Tropical Americas, inspired by Central and South America, and set to open in 2027. The current DINOSAUR ride will be rethemed to Indiana Jones, and an Encanto attraction is also on the way.

As part of the transition, TriceraTop Spin, Fossil Fun Games, and Chester & Hester’s all closed in January 2025. Over at the Tree of Life Theater, “It’s Tough to Be a Bug!” closed in March, and will be replaced by a new Zootopia show opening winter 2025.

Woah, you must be thinking — where’s the Animal Kingdom rant or views?

Honestly, I don’t have many opinions on this park since I’ve never been. I’m planning to visit on my next trip, so I’ll definitely have more to say after that. That said, I’m totally for the use of IPs in the park, especially since Animal Kingdom doesn’t have as many attractions as the other parks. But like I mentioned in the Epcot section, the IPs need to enhance a land or attraction — not overwhelm it. They should complement the park’s theme, not replace it.

Disney really can’t go IP crazy here. If they flood the park with too many franchises, they risk losing sight of what Animal Kingdom is supposed to be about: nature, animals, and conservation. Let’s hope they strike the right balance

Final Thoughts

Let’s make one thing very clear: I’m not hating on Disney. I absolutely love Disney and always will. The goal here isn’t to tear anything down or be overly critical. I’m just sharing my honest views based on what I’ve personally seen, experienced, and felt during my time in the parks.

Everything I’ve written is strictly my own opinion. It comes from my own trips, my own observations, and how I’ve seen things evolve. You might agree with me, or you might not and that’s totally okay. We all have different experiences at Disney, and we all see things a little differently. That’s part of what makes being in this community so great.

At the end of the day, I’ll always be a Disney fan. I just care enough to want it to be the best it can be for everyone.

What Happened To Creativity and Innovation in Disney?

Author: Blake

Welcome to the first ever Disney focused blog post! Back in 2019, I had to write a research paper about a topic I was passionate about and related to my major. For my paper, I decided to spot light the creative history Disney has had, a brief timeline of the parks and the current track record Disney has with its current leadership. While, I don’t consider myself a hardcore fan of Disney or claim to know everything about it, I wanted to share my thoughts and opinions I wrote. After revisiting this after some time, I definitely remember enjoying this paper and am glad I am able to revisit it again. So without further ado, let the magic begin!

*For easier readability, I removed the citations used throughout the paper. Please note not all quotes or facts are directly mine. I will link the sources I did use at the end of the post. Thank you!*

Photo by Benjamin Suter on Pexels.com

The Industry That Almost Failed To Exist:

“To all that come to this happy place, welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future…” (Walter Elias Disney). From the very start, theme parks were created as a place of fun and to escape the craziness of life. Creating a theme park to achieve these goals takes lots of creativity and innovation. Throughout the Walt Disney Company’s existence, creativity and innovation were core principles that Imaginners and leadership followed; however as of today those very same principles seemed to have disappeared and became lost within the profits of the company.

Back in the 1950s, the theme park industry was hurting and almost disappeared forever. When Walter Elias Disney came along, he took the failing American dream of what a theme park was and with hard work and innovative thoughts for the time, created what one knows today as Disneyland. Before Disneyland, Walt was an innovator in the making of cartoons and animation. He created some of the first cartoons in color and in sound. One day while spending time with his family at a local park and sitting on bench, a radical idea hit him. The idea of creating a theme park where adults and children can spend time together in a safe and comfortable environment. Fascinated with this idea, Walt set out with his brother Roy to create his vision. Walt purchased a 160 acre orange grove near Anaheim, California where there was nothing but orange groves and no major highways. The media criticized Walt saying he was crazy and it couldn’t be done. Regardless, Walt, the Imaginners and trades workers got the park finished and opened. Walt took all of his classic, well known characters and created rides using storytelling so that riders could connect to the characters and feel apart of the story. 

And So The Magic Began…

Walt didn’t just stop there with Disneyland. Throughout the years, he added to his park creating never before seen technology and elements in rides. To keep the park revelavant and market towards thrill seekers, Dick Nunis, who was the Director of Operations at the time, asked if the Imaginners could come up with something: “‘You’ll get your thrill show attraction. We are going to build a scale model of the Matterhorn and put a bobsled in it’. I had no idea what he was talking about. What Walt ended coming up with was a ride called the Matterhorn Bobsleds. Walt’s concept was having two tracks intertwining each other hidden inside of the mountain along with an opening in the mountain so that the SkyWay could pass through it. The designer of the ride had to learn extra math he never learned in high school just to be able to get the ride designed and its physics designed. The ride set the pace as the first tubular steel track roller coaster in the world. Other innovative ideas such as this came about like the It’s A Small World ride, the Monorail system which was the first ever monorail and Pirates of the Caribbean ride

The Legend Carries On:

While Disneyland was a huge success and in the process of completing these innovative projects, Walt’s health was declining due to lung cancer. When Walt died on December 15, 1966, the Imaginners who worked closely with him were devastated. Imaginners were worried about the future of Disneyland and what would be next since anything they worked on, Walt always gave feedback or worked with them on. Roy Disney took over the company and he and the Imagineers honored Walt by finishing all the projects Walt put forward before he died. Such projects include the Haunted Mansion and what would become Walt Disney World. It took a lot of innovation and creativity to solve the issues of sinkholes, swamp land,no roads and no utilities anywhere near the property. To combat this, the team put in all of its own utilities and roads and designed on ground level a network of tunnels to run all the utilities. The tunnels were also used for Cast Members to get around to the proper lands while in costumes without being seen by park goers. Don Iwerks,former General Manager of the Walt Disney machine shop recalls: “That was a major engineering job. It could run all the water systems, all the electrical systems and all heating systems all under this sort of roof.” The park featured mostly clones of Disneyland rides but also featured new and exciting experiences. One of those being Liberty Square which was themed after colonial America. After the park opened, it was clear all 30,00 acres of land could be further developed and Walt’s ideas would go on.

The Community Of Tomorrow:

Shortly after Walt Disney World opened to the public and became the companies second park to open, Roy Disney died. Imaginners still around from when Walt was alive and current Imaginners feared again what was to become Disney and didn’t know where the company was going next. Don Tatum who was Roy’s prodigy took control of finances while Card Walker who was Walt’s prodigy took control of the parks. The team under the leadership of Walker took Walt’s idea of EPCOT (Experimental Prototype Community of Tomorrow) which would be a futuristic utopian community with radical ideas never thought of or designed before and finally put it forward. Card Walker, the president of the company at the time gave the following statement about the project: “More than a dozen years ago Walt Disney outlined his belief that the critical problems facing the world can and will be solved by creative people who are both dreamers and doers. He called his dream Epcot.” They ultimately gave up on the society since they couldn’t control how people lived their lives and instead took the themes Walt had created and made attractions and themed areas (Pavillons) out of them. For example, Spaceship Earth showed the evolution and futuristic advancements of communications and how it shaped society. The fact that the Imaginners were able to come up with original attractions to orchestrate a specific theme is absolutely amazing. 

The Eisner Era & Revival Of Creativity.

Unfortunately, this creativery would be on the brink of collapse due to a battle of management and hostile issues at the corporate level. However when Micheal Eisner and Frank Wells took over the company, they ushered in a new era of creativity. Eisner before taking control of Disney was an executive at Paramount Pictures who helped take the studio on a legendary box office streak. From the very moment they took over, Imaginners feared that the dreaded day came where they would be getting shut down. To their surprise, Esiner loved Imagineering and respected them highly. Esiner loved Imagineering so much that he spent a lot of time there and really connected with the creative minded people he was interacting with on a daily basis. 

Throughout his time leading the company, Esiner took on many ambitious and creative projects. The first of these projects was a Disneyland park in Paris. Unlike the creation of Disneyland in Japan, which was an exact clone, the Disneyland being built in Paris, while still having the same rides, was visually and creatively different and unique. Disneyland Paris’s tomorrow land for example had a more steam punk look to it rather than the traditional futuristic space theme to it. Not only was the theming different the technology behind some of the rides was different as well. Unlike the other versions of Space Mountain that started with a lift hill followed by a drop, this version used a catapult launch system created entirely by the Imagineers. It was the first inclined catapult launch system ever built in the world. This system added a whole new excitement to the classic attraction while keeping to the original concept.

Another creative project that followed suite was a chain of complexes called DisneyQuest. The idea was instead of having to spending millions of dollars on creating a park in which would be profitable in 11 years, build a complex that would be profitable within a few years. DisneyQuest was a 5 story windowless building featuring multiple attractions, games and new technologies in order to give the Disney experience without having to travel all the way to CA or FL. Despite closing in 2015 and not achieving the plans for 30 regional locations, the concept and creativity with the complex where pretty amazing since it was something never really done before and was just emerging.

Cooperate Greed… Goodbye Creativity!

Unfortunately, this creative resurgence would not last and would soon come crashing down. Starting around 1994, Disney began once again cutting costs and corners. Tom Morris, a former Imagineering Creative Executive, recalls: “…There was a time where we were encouraged to forget who we were. We’re no longer gonna be a castle park company. We are entertainment, retail, dining, and real estate development and other things.” The most obvious examples of this was seen in the creation of MGM Studios in Paris and Disney’s California Adventure which would be the 2nd gated park in CA. DCA broke the formula to how Disney created parks since there was no natural divider keeping the park immersed in the theming and rides, there were fewer themed lands and fewer attractions. Kevin Rafferty, an Imaginnering Executive, reflects: “Much to our chagrin, it didn’t adhere to our fundamental design principles of theme park design”. Disney moved away from their core principles and with MGM Studios Paris and DCA focused on making one day park experiences to complete the main parks. When a legendary Imaginner John Hench was asked to complement on the creation of DCA he stated “I preferred the old parking lot” While some may argue in order to be innovative, traditions and formulas must be strayed away from, by Disney doing so they were not innovative as in some cases. Instead, Disney only broke their formulas to cut corners and try to get the Disney experience out there poorly executed. 

The Iger Era… Not Much Better?

Sadly, this creative slump and decline of innovation only carried on under Eisner’s leadership and Disney suffered. One of Disney’s major partners throughout the years, Pixar, ended their partnership with Disney. To add to the companies suffering, Roy E Disney, Walt’s nephew, resigned from the board of directors and sought to drive Einser out of leadership. Bob Iger took control of the company after Eisner stepped down as CEO of the company. What was thought to be a new start only continued the downward spiral of lack of creativity and innovation. 

While Iger tried to focus on trying to get core principal’s back, he only failed and is losing the core principles even more. A common example that is clearly seen in the present day of Disney is the overuse of IPs (Disney characters or property) on rides and attractions. For example, instead of creating new rides with new characters and experiences, the same characters that have been used already are used again. Another issue connected with this is the recycling an old ride and slapping a new IP on to it. If one takes a look at Pixar Pier in DCA, all it essentially is, is the old Paradise Pier rides with new characters and color schemes. While it can be argued, the conversion of Pixar Pier was innovative and creative since it used new characters and brought new concepts to that specific area to DCA to make it feel more like Disney, all Disney did was recycle the land and just re-theme it which is not very creative. For example, the old roller coaster California Screamin’ was converted into Incredicoaster with little changes done to it. All that was done to this ride was, tunnels where installed on the tops of the drops on the tracks and the ride was repainted to fit the theme for the Incredibles. Re-theming an entire land by just repainting it and slapping new names on rides is not creative or innovative especially with a company that has such a rich history with these two core ideas.

To conclude, Walter Elias Disney created Disneyland out of a vision where adults and children can spend time together in a safe and comfortable environment. To make his dream a reality he used radical, outside of the box ideas to make it happen. Walt’s vision only expanded into what Disney has become today. However, the core ideas Disney was founded on and stood by for decades have disappeared and became lost within the profits of the company. One can only hope the company gets a new leader who stops caring about profits and returns to the core principles that founded and shaped this company. Whether it’s myself who one day works for this company making creative decisions or another Disney legend, one can only hope for the future.

Reflecting Back On My Opinions Two Years Later:

After reading the paper through again after two years, I think a majority of the observations I made where true and are still occurring today sadly. I think it is a shame that Disney keeps putting money and greed over creativity, fun and their founding principles. To be fair, I see why Disney has to do this being they build new attractions and lands that cost millions of dollars, host fireworks daily along with all the expenses. I get it adds up and they need to worry about the bottom line, but I think you still need to keep a fine balance between your finances and core ideas. Could you imagine how different and maybe even better Disney would have been right now if they didn’t always chase money and be greedy? I truly think they would be way better off. Putting finances aside for a second, we could even argue that Disney leadership possibly even doesn’t care at all anymore? WDW is crumbling (cough cough Monorails) and needs updates to it’s infrastructure and some of it’s older rides and EPCOT is just a mess.

“IP-COT”

I mean we have ECPOT which has was a very innovative and special park and now is basically a dead park and a former shell of itself. Yes, we are seeing progress but think about how long it took Disney to actually put time into this park. And yet again we are seeing Disney resort to overusing IPs especially in ECPOT. Some of the attractions make sense since they do fit the overall theme and idea of ECPOT but others you can’t help but ask yourself why. For example the monstrosity of an attraction, Guardians of the Galaxy: Cosmic Rewind is terrible. Did they even try with that show building? I mean come on… You could have done better than that. Okay genius so you slapped green paint on it to try to hide it but what about the rest of the building? Such an eyesore especially from the parking lot. To be fair, we haven’t actually seen much footage or the ride experience yet and I’m not trying to bash it to hard. I am simply just using this ride specify as an example.

Image Credit: WDWMAGIC.Com

It seems like all Disney is going is slapping IPs in empty spaces to fill up the park as quick as possible. What happened to the original idea of ECPOT with original attractions? Think about it, with the technology Disney has, the money they have and other resources available to them imagine if they did remake and update EPCOT. I think the ECPOT we would get would 100% look like the early concept art we saw. There are so many examples more examples I could use to illustrate my points however, I choose EPCOT since I know the most about this park.

Final Thoughts

Overall, I think if you look hard enough, we can see there is being progress made with creativity and innovativeness but I still think it’s too far berried under cooperate greed and cooperate politics. I think with all the new technology and tools that are out there now, it will be fun to see what comes from it. I really enjoyed writing this piece and be able to revisit this paper I wrote was fun to do. In the future, I hope to do more Disney content whether its reviews, reflections like this one or news. I hope you enjoyed!